The ‘Voyage Out: Land and Sea’ led directly to ‘In a state of osmosis’, the first painting exploring natures broken grids.
At the time I wrote in my journal:
'And there is also the thought that the grids represent a veil - allowing glimpses beneath, whilst also distorting and hiding, shading, holding back. Is this something to do with the spirit - which is unseen and yet its presence is felt, known, acknowledged and simultaneously hidden from view?’
These paintings celebrate life, nature, the feminine and the spirit, aiming to capture the exhilaration of connection through colour, gesture and material.
Nature is full of broken grids. Walking in the woods I observe their changing colours and appearance, asking ‘is nature hiding’ and ‘what is nature hiding’, as well as considering whether “a broken grid relates to breaking out?”.
In these later paintings within the series, pathways appeared: through the forest, around a stupa or within a labyrinth, referencing memories of Ajanta (India) and Chartres (France).